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Johnny Depp: Critics lukewarm to comeback film Jeanne du Barry


 US film star Johnny Depp has returned to the  transnational stage for the first time in three times, appearing on the red carpet at the opening night of the Cannes Film Festival.   He  inked  signatures and took selfies with  suckers before the premiere of Jeanne du Barry, in which he plays Louis XV alongside actress and director Maïween.  

 It's Depp's first major  part since a series of high- profile court battles with hisex-wife Amber Heard.   The film  entered a standing acclamation.   Depp reportedly came emotional at the response but critics have been more lukewarm in their assessment of the movie.   The French- language film tells the story of a woman- played by Maïween- born into poverty who becomes the French king's final  doxy .   But the decision to invite Depp to the  jubilee has been controversial, leading to the hashtag #Cannes Youth trending on social media.   He was dropped from the Fantastic Beasts ballot three times ago after losing a  calumniation case with a  review which called him a  woman beater. On Monday  jubilee director Thierry Fermium said he wasn't interested in Depp's legal  straits, adding" I'm interested in Depp the actor."   Speaking at a press conference to promote the film, Depp told  intelligencers" I do not feel transacted by Hollywood.

I do not  suppose about Hollywood. I do not need Hollywood."   Steve Pond, of The Wrap said the first night of Cannes saw a battle" between a movie and a lot of stuff that did not have  important to do with the movie".  " And the movie, Jeanne du Barry, just was not strong enough to put up much of a fight."   maybe the film  demanded that contestation to be noticed, he suggested. It's a" a movie that just is not potent enough to  snare any captions on its own," he said. An opulent period drama, the film- which was also written and directed by lead actor Maïween- was shot at the Palace of Versailles with some costumes designed and created by Chanel.   still, despite being"  extravagantly made. with jaw- dropping costumes", it's also" kind of  mellow", according to Jordan Mintzer of The Hollywood journalist.  "

 Indeed the casting- some would say  trick casting- of Johnny Depp as the king offers a many beforehand thrills and  also  substantially yawns, with Depp  tattling out what feels like a aggregate of a dozen lines in respectable French, while  else remaining mute.  " His performance is not bad, and neither is Maïwenn's in the  super eminent  part. But the two of them, like the movie, infrequently get our  palpitation racing."n't bad, and neither is Maïwenn's in the  super eminent  part. But the two of them, like the movie, infrequently get our  palpitation racing." Variety's Peter Debruge said the decision to cast Depp felt" apt, for there must be a palpable power differential between Louis and his  rearmost  passion".  

 For his part, Depp delivers his lines  by well- turned French, wearing fine greasepaint and a stiff white  toupee, and yet he seems strangely uncomfortable in the  part-acceptable but not especially engaged," he added.  " Depp's the kind of player who delivers  virtually every performance with a wink, so it's odd that indeed when his Louis is actually supposed to be winking( at Jeanne), the sparkle is not there. That curious lack of  conspiracy saps the chemistry we crave between the two leads.   still, Rafaela Deals Ross of the Playlist described Depp as"  veritably American,  veritably lost" in the film where his French accentuation is"  nearly as abstracting as his distorted make- up".   still, it's likely the film would make a  nippy turn from the red carpet into acceptance, and while the  noise  clearly detainments the process," 

If it was not for the  largely- publicized  dishonors that envelop Jeanne du Barry.   There was  further sympathy from Kevin Maher in the Times who said Maïwenn blandished an" impressively controlled performance" from Depp- but the movie isn't really about him anyway.  " It's  veritably  sometimes too tasteful for is own good," he added." But it's also mature and  predicated, and represents  presumably the stylish recovery vehicle that Depp is going to get."   Last time he won a  vilification case against Heard after she called herself a victim of abuse in the Washington Post. 

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